{"id":923,"date":"2020-05-10T15:46:14","date_gmt":"2020-05-10T13:46:14","guid":{"rendered":"https:\/\/kommet.fr\/?p=923"},"modified":"2020-05-10T17:31:16","modified_gmt":"2020-05-10T15:31:16","slug":"naomi-heinrich","status":"publish","type":"post","link":"https:\/\/kommet.fr\/index.php\/2020\/05\/10\/naomi-heinrich\/","title":{"rendered":"NAOMI HEINRICH"},"content":{"rendered":"\n

N\u00e9e en 1991, vit et travaille \u00e0 Montpellier<\/p>\n\n\n\n

Naomi Heinrich<\/strong> obtient en 2018 son DNSEP \u00e0 l\u2019\u00c9cole Sup\u00e9rieure des Beaux-Arts de Montpellier (Esba-MoCo). Elle expose son travail en France, comme \u00e0 Montpellier ou \u00e0 Paris r\u00e9cemment, mais aussi \u00e0 l\u2019\u00e9tranger, comme \u00e0 Belgrade ou Plymouth.<\/p>\n\n\n\n

\u00c9laborant des installations qui font communiquer la photographie, la vid\u00e9o, l\u2019image 3D, la sculpture et l\u2019espace, Naomi tente de nous faire percevoir ces entit\u00e9s diff\u00e9remment qu\u2019en tant qu\u2019objets autonomes. Elle place le spectateur au milieu de paysages hybrides, \u00e0 la fois r\u00e9els et virtuels, qui \u00e9voquent le mirage. Elle questionne alors notre situation en tant qu\u2019individus circulant au sein d\u2019 \u00ab environnement-images \u00bb qui oscillent entre construction et destruction, entre chantier et ruine, entre r\u00e9alit\u00e9 et virtualit\u00e9, et par cet entre-deux elle cherche \u00e0 faire disparaitre une certaine notion du temps.<\/p>\n\n\n\n

www.naomiheinrich.com<\/a><\/strong><\/p>\n\n\n\n

\"\"
Naomi Heinrich, Fontaine Solaire 400w<\/em>, 2020.
Installation multi-mat\u00e9riaux, dimensions variables.
Vue de l\u2019exposition Portail au DOC \u00e0 Paris, 2020.
Cr\u00e9dit photo : Lucas Hadjam<\/figcaption><\/figure>\n\n\n\n
\"\"
Naomi Heinrich, More Light at Night<\/em>, 2019.
Installation vid\u00e9o : impression photo sur b\u00e2che, vid\u00e9o 3D,
multi-mat\u00e9riaux, dimensions variables.
Vue de l\u2019installation pour la Biennale Jeune Cr\u00e9ation
Mulhouse 019, Mulhouse, 2019.
Cr\u00e9dit photo : Naomi Heinrich<\/figcaption><\/figure>\n\n\n\n
\"\"
Naomi Heinrich, More Light at Night<\/em>, 2019.
Installation vid\u00e9o : impression photo sur b\u00e2che, vid\u00e9o 3D,
multi-mat\u00e9riaux, dimensions variables.
Vue de l\u2019installation pour la Biennale Jeune Cr\u00e9ation
Mulhouse 019, Mulhouse, 2019.
Cr\u00e9dit photo : Naomi Heinrich<\/figcaption><\/figure>\n\n\n\n
\"\"
Naomi Heinrich, The Death Of Summer<\/em>, 2017.
Installation vid\u00e9o, multi-mat\u00e9riaux, dimensions variables.
Cr\u00e9dit photo : Naomi Heinrich<\/figcaption><\/figure>\n\n\n\n
\"\"
Naomi Heinrich, Prototype\/MES #2<\/em>, 2019.
Image num\u00e9rique, rendu 3D.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

N\u00e9e en 1991, vit et travaille \u00e0 Montpellier Naomi Heinrich obtient en 2018 son DNSEP \u00e0 l\u2019\u00c9cole Sup\u00e9rieure des Beaux-Arts de Montpellier (Esba-MoCo). Elle expose son travail en France, comme \u00e0 Montpellier ou \u00e0 Paris r\u00e9cemment, mais aussi \u00e0 l\u2019\u00e9tranger, comme \u00e0 Belgrade ou Plymouth. \u00c9laborant des installations qui font communiquer la photographie, la vid\u00e9o, … <\/p>\n

Continuer la lecture de « NAOMI HEINRICH »<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/923"}],"collection":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=923"}],"version-history":[{"count":6,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/923\/revisions"}],"predecessor-version":[{"id":935,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/923\/revisions\/935"}],"wp:attachment":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}