{"id":892,"date":"2020-05-05T11:53:19","date_gmt":"2020-05-05T09:53:19","guid":{"rendered":"https:\/\/kommet.fr\/?p=892"},"modified":"2020-05-06T17:49:49","modified_gmt":"2020-05-06T15:49:49","slug":"jonathan-brechignac","status":"publish","type":"post","link":"https:\/\/kommet.fr\/index.php\/2020\/05\/05\/jonathan-brechignac\/","title":{"rendered":"JONATHAN BR\u00c9CHIGNAC"},"content":{"rendered":"\n

N\u00e9 en 1985, vit et travaille \u00e0 Paris<\/p>\n\n\n\n

Jonathan Br\u00e9chignac<\/strong> est n\u00e9 en Provence, vit et travaille \u00e0 Paris. Il est dipl\u00f4m\u00e9 de l\u2019\u00c9cole de Recherche Graphique ERG (Bruxelles).<\/p>\n\n\n\n

Algues bioluminescentes, scarab\u00e9es iris\u00e9s, r\u00e9fractions lumineuses, pierres mouvantes, le travail de Jonathan Br\u00e9chignac prend comme point de d\u00e9part ces ph\u00e9nom\u00e8nes naturels qui malgr\u00e9 les explications scientifiques gardent un pouvoir de fascination intact. Sa pratique interdisciplinaire m\u00eale sculpture, installation et peinture. L\u2019exploration de la mati\u00e8re occupe une place importante dans ses travaux qui empruntent des codes et des protocoles issus de la science (collecte d\u2019\u00e9chantillons, exp\u00e9riences et mat\u00e9riel de laboratoire\u2026). En recr\u00e9ant du \u00abvivant\u00bb \u00e0 partir de mat\u00e9riaux synth\u00e9tiques mis en sc\u00e8ne \u00e0 l\u2019aide de nouvelles technologies, Jonathan Br\u00e9chignac cr\u00e9e une po\u00e9tique de la fascination : Il questionne la limite entre artificiel et naturel ainsi que le rapport de notre \u00e9poque au vivant. Dans son travail, l\u2019invocation de mythes populaires, th\u00e9ories scientifiques et \u00e9sot\u00e9riques trouble les fronti\u00e8res entre fiction et r\u00e9el. Il pointe les limites de notre capacit\u00e9 \u00e0 comprendre le monde d\u00e9voilant ainsi les processus par lesquels la croyance \u00e9merge.<\/p>\n\n\n\n

www.jonathanbrechignac.fr<\/a><\/strong><\/p>\n\n\n\n

\"\"
Jonathan Br\u00e9chignac, LA CAVERNE, STALAGMITES,<\/em>2019
Resin casts, leds, silicone, loose fill. Installation – 150 x 150 x 45 cm
This work is part of the project La Cavern<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Jonathan Br\u00e9chignac,
LEFT : LA CAVERNE, UNTITLED<\/em> (artefacts), 2019.
90 x 75 x 10 cm
Resin casts, print on mounted paper, wooden structure
RIGHT : LA CAVERNE, ANCIENT VENUS<\/em>, 2019.
90 x 65 x 10 cm
Resin casts, acrylic, wooden structure
These works are part of the project La Cavern<\/em><\/figcaption><\/figure>\n\n\n\n
\"\"
Jonathan Br\u00e9chignac, ALIEN ROCKS,<\/em> 2018-2019.
Silicone, polyurethane foam, resin, jesmonite, plastic, pigments.
Variable dimensions<\/figcaption><\/figure>\n\n\n\n
\"\"
Jonathan Br\u00e9chignac, SVALBARD PETRI DANS LES CALANQUES<\/em>, 2019.
Petri boxes, fragments (vegetal, mineral and animal), resin, leds.
Presentation in the calanque of Callelongue at the top south point of Marseille, a place where some of the natural fragments are taken from<\/figcaption><\/figure>\n\n\n\n
\"\"
Jonathan Br\u00e9chignac, SO FAR SO GOOD<\/em>, 2019.
Polyurethane foam, plaster, paint, silicone, cap, embroidery, iron, ipod and original soundtrack.
35 x 28 x 23 cm<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

N\u00e9 en 1985, vit et travaille \u00e0 Paris Jonathan Br\u00e9chignac est n\u00e9 en Provence, vit et travaille \u00e0 Paris. Il est dipl\u00f4m\u00e9 de l\u2019\u00c9cole de Recherche Graphique ERG (Bruxelles). Algues bioluminescentes, scarab\u00e9es iris\u00e9s, r\u00e9fractions lumineuses, pierres mouvantes, le travail de Jonathan Br\u00e9chignac prend comme point de d\u00e9part ces ph\u00e9nom\u00e8nes naturels qui malgr\u00e9 les explications scientifiques … <\/p>\n

Continuer la lecture de « JONATHAN BR\u00c9CHIGNAC »<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/892"}],"collection":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=892"}],"version-history":[{"count":7,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/892\/revisions"}],"predecessor-version":[{"id":905,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/892\/revisions\/905"}],"wp:attachment":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=892"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}