{"id":868,"date":"2020-05-02T10:31:33","date_gmt":"2020-05-02T08:31:33","guid":{"rendered":"https:\/\/kommet.fr\/?p=868"},"modified":"2020-05-02T17:43:40","modified_gmt":"2020-05-02T15:43:40","slug":"tristan-paul-guepin","status":"publish","type":"post","link":"https:\/\/kommet.fr\/index.php\/2020\/05\/02\/tristan-paul-guepin\/","title":{"rendered":"TRISTAN-PAUL GUEPIN"},"content":{"rendered":"\n<p style=\"color:#61448f\" class=\"has-text-color\">N\u00e9 en 1992, vit et travaille \u00e0 Marseille<\/p>\n\n\n\n<p>Apr\u00e8s une formation \u00e0 l\u2019\u00e9cole des Beaux Arts de Clermont-Ferrand (ESCAM), <strong>Tristan-Paul Guepin<\/strong> s\u2019est install\u00e9 \u00e0 Marseille o\u00f9 il fond\u00e9, il y a maintenant un peu plus d\u2019un an, un espace de cr\u00e9ation et de diffusion de la cr\u00e9ation contemporaine : L\u2019atelier V\u00c9.<\/p>\n\n\n\n<p>Le carnaval de Tristan-Paul est un mouvement perp\u00e9tuel, une s\u00e9rie de rebonds impr\u00e9visibles; son \u00e9nergie radicale \u00e9chappe a tout pragmatisme. En tant qu\u2019archipel visuel, son oeuvre g\u00e9n\u00e9reuse et prot\u00e9iforme interroge et plonge le visiteur dans une \u00e9pop\u00e9e au rythme du Monde lui-m\u00eame.<br>En 2019, ses recherches se concentrent sur l\u2019id\u00e9e de complexit\u00e9. Engag\u00e9es sous le prisme de questionnement civilisationnels et arch\u00e9ologiques, sa pratique prend une trajectoire nouvelle. C\u2019est alors par le moulage, qu\u2019il empreinte et assemble des fragments issus de ruines comme pour dresser le bilan de nos activit\u00e9s humaines ou pour synchroniser les diverses strates du temps. Dans une \u00e9poque d\u2019urgence sociale, \u00e9conomique et \u00e9cologique, ses installations de pl\u00e2tre d\u00e9gagent une certaine mollesse et t\u00e9moigne d\u2019un go\u00fbt prononc\u00e9 pour la souplesse, la flexibilit\u00e9 et la rondeur. La fluidit\u00e9 de la mati\u00e8re devient alors un outil pour penser ou repenser le mouvement et la modernit\u00e9 qui l\u2019engage. Les derni\u00e8res&nbsp;\u0153uvres&nbsp;de l\u2019artiste d\u00e9gagent alors une forme de douce r\u00e9sistance, un d\u00e9sir profond de r\u00e9enchantement du Monde et de renouvellement de la pens\u00e9e.<\/p>\n\n\n\n<p style=\"color:#61448f\" class=\"has-text-color\"><a href=\"https:\/\/tristanpaulguepin.wordpress.com\/\"><strong>https:\/\/tristanpaulguepin.wordpress.com\/<\/strong><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/4-1024x683.jpg\" alt=\"\" class=\"wp-image-872\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/4.jpg 1024w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/4-300x200.jpg 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/4-768x512.jpg 768w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Tristan-Paul Guepin, <em>Chacun sa gamelle<\/em>, 2016<br>bronze patin\u00e9, barquette alimentaire<br>25x15x15 cm<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/3.jpg\" alt=\"\" class=\"wp-image-873\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/3.jpg 386w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/3-200x300.jpg 200w\" sizes=\"(max-width: 386px) 100vw, 386px\" \/><figcaption>Tristan-Paul Guepin, <em>On l&#8217;a quand m\u00eame conserv\u00e9<\/em>, 2019<br>pl\u00e2tre, plastique, bois<br>216x88x59 cm<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/2-1024x641.jpg\" alt=\"\" class=\"wp-image-874\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/2-1024x641.jpg 1024w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/2-300x188.jpg 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/2-768x481.jpg 768w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Tristan-Paul Guepin, <em>Traduttore, traditore e in vino veritas<\/em>, 2019<br>quatre br\u00e8ves et cinquante miniatures pleines d&#8217;amour<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/1-682x1024.jpg\" alt=\"\" class=\"wp-image-875\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/1-682x1024.jpg 682w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/1-200x300.jpg 200w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/1.jpg 683w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><figcaption>Tristan-Paul Guepin, <em>\u00c0 plusieurs, l\u2019\u00e9tranget\u00e9 ne pouvait nous&nbsp;filer entre les doigts (soft column #2)<\/em>,&nbsp;2019&nbsp;<br>mousse PU, pl\u00e2tre, encre de Chine, patines<br>215x40x50 cm<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/5.jpg\" alt=\"\" class=\"wp-image-876\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/5.jpg 897w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/5-300x200.jpg 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/05\/5-768x512.jpg 768w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Tristan-Paul Guepin, <em>\u03c6\u03c4\u03c5\u03ac\u03c1\u03b9<\/em>, 2016<br>bronze patin\u00e9<br>42x9x3,5 cm<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e9 en 1992, vit et travaille \u00e0 Marseille Apr\u00e8s une formation \u00e0 l\u2019\u00e9cole des Beaux Arts de Clermont-Ferrand (ESCAM), Tristan-Paul Guepin s\u2019est install\u00e9 \u00e0 Marseille o\u00f9 il fond\u00e9, il y a maintenant un peu plus d\u2019un an, un espace de cr\u00e9ation et de diffusion de la cr\u00e9ation contemporaine : L\u2019atelier V\u00c9. Le carnaval de Tristan-Paul &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/kommet.fr\/index.php\/2020\/05\/02\/tristan-paul-guepin\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;TRISTAN-PAUL GUEPIN&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/868"}],"collection":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=868"}],"version-history":[{"count":4,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/868\/revisions"}],"predecessor-version":[{"id":906,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/868\/revisions\/906"}],"wp:attachment":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}