{"id":730,"date":"2020-04-06T13:19:47","date_gmt":"2020-04-06T11:19:47","guid":{"rendered":"https:\/\/kommet.fr\/?p=730"},"modified":"2020-04-08T18:06:05","modified_gmt":"2020-04-08T16:06:05","slug":"chrystele-nicot-antoine-alesandrini","status":"publish","type":"post","link":"https:\/\/kommet.fr\/index.php\/2020\/04\/06\/chrystele-nicot-antoine-alesandrini\/","title":{"rendered":"CHRYST\u00c8LE NICOT &#038; ANTOINE ALESANDRINI"},"content":{"rendered":"\n<p style=\"color:#61448f\" class=\"has-text-color\">N\u00e9s en 1989 et 1985, vivent et travaillent \u00e0 Paris<\/p>\n\n\n\n<p>Apr\u00e8s avoir \u00e9t\u00e9 dipl\u00f4m\u00e9s respectivement des Beaux-Arts de Paris (2013) et de l\u2019\u00c9cole Nationale Sup\u00e9rieure de R\u00e9alisation (2008), <strong>Chryst\u00e8le Nicot<\/strong> et <strong>Antoine Alesandrini<\/strong> mettent en commun leur pratique et exp\u00e9rience autour de la vid\u00e9o et de l\u2019installation. Leur travail a \u00e9t\u00e9 montr\u00e9 en expositions (Jeune Cr\u00e9ation, Fabrika Moscou, Salon de Montrouge\u2026) de m\u00eame qu\u2019en festivals. R\u00e9cemment, ils ont \u00e9t\u00e9 finalistes du prix Audi Talents en 2019 et participeront au programme de rencontre de <em>Saison Vid\u00e9o<\/em> cet automne.<\/p>\n\n\n\n<p>Sous le signe du d\u00e9tournement, l\u2019\u0153uvre de Chryst\u00e8le Nicot et d&#8217;Antoine Alesandrini s\u2019inscrit dans le paradigme de la mondialisation, d\u2019une culture globalis\u00e9e et hyperconnect\u00e9e. Conscients de la puissance de persuasion exerc\u00e9e par les m\u00e9dias de divertissement ainsi que du pouvoir de la fiction, le duo d\u2019artistes se nourrit des codes cin\u00e9matographiques et de la culture populaire (des jeux vid\u00e9o, des web-s\u00e9ries et des r\u00e9seaux sociaux) pour cr\u00e9er leurs vid\u00e9os. Leurs installations parfois interactives, tenter de questionner l\u2019engagement du spectateur, allant jusqu\u2019\u00e0 remettre en question la p\u00e9rennit\u00e9 m\u00eame de la pi\u00e8ce.<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/INTENTIONAL_SWEAT_12-1024x576.jpeg\" alt=\"\" class=\"wp-image-734\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/INTENTIONAL_SWEAT_12-1024x576.jpeg 1024w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/INTENTIONAL_SWEAT_12-300x169.jpeg 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/INTENTIONAL_SWEAT_12-768x432.jpeg 768w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/INTENTIONAL_SWEAT_12.jpeg 1280w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Chryst\u00e8le Nicot &amp; Antoine Alesandrini, <em>\u6c57\u610f INTENTIONAL SWEAT,<\/em>2019, vid\u00e9o, 67 min<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/HUDDLEROOM-1024x576.jpeg\" alt=\"\" class=\"wp-image-735\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/HUDDLEROOM-1024x576.jpeg 1024w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/HUDDLEROOM-300x169.jpeg 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/HUDDLEROOM-768x432.jpeg 768w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/HUDDLEROOM.jpeg 1280w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Chryst\u00e8le Nicot &amp; Antoine Alesandrini, <em>HUDDLE ROOM, 2<\/em>020, installation interactive, 170 x 120 x 120cm<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/Capture-d\u2019e\u0301cran-2016-12-23-a\u0300-13.56.21-copie-1024x572.png\" alt=\"\" class=\"wp-image-737\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/Capture-d\u2019e\u0301cran-2016-12-23-a\u0300-13.56.21-copie-1024x572.png 1024w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/Capture-d\u2019e\u0301cran-2016-12-23-a\u0300-13.56.21-copie-300x168.png 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/Capture-d\u2019e\u0301cran-2016-12-23-a\u0300-13.56.21-copie-768x429.png 768w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Chryst\u00e8le Nicot &amp; Antoine Alesandrini, <em>SCRIPTKIDDIES<\/em>, 2016, 8min<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/UO_7-1-1024x811.jpg\" alt=\"\" class=\"wp-image-741\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/UO_7-1-1024x811.jpg 1024w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/UO_7-1-300x238.jpg 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/UO_7-1-768x609.jpg 768w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/UO_7-1.jpg 1209w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Chryst\u00e8le Nicot &amp; Antoine Alesandrini, <em>THE USUAL OFFICE,<\/em> 2020, vid\u00e9o, en post production<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/BETAH_2019-682x1024.jpeg\" alt=\"\" class=\"wp-image-739\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/BETAH_2019-682x1024.jpeg 682w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/BETAH_2019-200x300.jpeg 200w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/BETAH_2019-768x1152.jpeg 768w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/BETAH_2019.jpeg 853w\" sizes=\"(max-width: 682px) 100vw, 682px\" \/><figcaption>Chryst\u00e8le Nicot &amp; Antoine Alesandrini, <em>BETA H,<\/em> 2019, installation interactive, 130 x 100 x 60cm. Cr\u00e9dit photo:&nbsp; Matthieu Camille Colin<\/figcaption><\/figure>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e9s en 1989 et 1985, vivent et travaillent \u00e0 Paris Apr\u00e8s avoir \u00e9t\u00e9 dipl\u00f4m\u00e9s respectivement des Beaux-Arts de Paris (2013) et de l\u2019\u00c9cole Nationale Sup\u00e9rieure de R\u00e9alisation (2008), Chryst\u00e8le Nicot et Antoine Alesandrini mettent en commun leur pratique et exp\u00e9rience autour de la vid\u00e9o et de l\u2019installation. Leur travail a \u00e9t\u00e9 montr\u00e9 en expositions (Jeune &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/kommet.fr\/index.php\/2020\/04\/06\/chrystele-nicot-antoine-alesandrini\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;CHRYST\u00c8LE NICOT &#038; ANTOINE ALESANDRINI&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/730"}],"collection":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=730"}],"version-history":[{"count":7,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/730\/revisions"}],"predecessor-version":[{"id":752,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/730\/revisions\/752"}],"wp:attachment":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=730"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=730"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}