{"id":719,"date":"2020-04-05T13:05:40","date_gmt":"2020-04-05T11:05:40","guid":{"rendered":"https:\/\/kommet.fr\/?p=719"},"modified":"2020-04-06T18:00:40","modified_gmt":"2020-04-06T16:00:40","slug":"louise-porte","status":"publish","type":"post","link":"https:\/\/kommet.fr\/index.php\/2020\/04\/05\/louise-porte\/","title":{"rendered":"LOUISE PORTE"},"content":{"rendered":"\n<p style=\"color:#61448f\" class=\"has-text-color\">N\u00e9e en 1993, vit et travaille entre Paris et Lyon<\/p>\n\n\n\n<p><strong>Louise Porte<\/strong> obtient son DNSEP en 2016 \u00e0 l\u2019\u00c9cole Sup\u00e9rieure d\u2019Art de Clermont M\u00e9tropole. Sa pratique se situe entre les arts visuels et vivants. Ses recherches d\u2019installations, ax\u00e9es autour de narrations quotidiennement fictives, nourrissent ses travaux chor\u00e9graphiques, et inversement.<\/p>\n\n\n\n<p>Capturer les images comme des instants sc\u00e9niques, des installations urbaines, des actes en attente. Inspir\u00e9e des arts vivants, ma pratique est r\u00e9f\u00e9renc\u00e9e \u00e0 une plasticit\u00e9 de la sc\u00e8ne, jou\u00e9e par le corps du public. Je m\u2019int\u00e9resse \u00e0 la notion d\u2019entre acte, qui \u00e9voque \u00e0 la fois l\u2019entracte, ce moment entre deux, une pr\u00e9occupation autour de l\u2019attente du \u00abshow\u00bb, une latence activ\u00e9e, un temps suspendu. Une sc\u00e8ne hors sc\u00e8ne.<\/p>\n\n\n\n<p style=\"color:#61448f\" class=\"has-text-color\"><a href=\"http:\/\/www.louiseporte.wixsite.com\/louiseporte\"><strong>www.louiseporte.wixsite.com\/louiseporte<\/strong><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/1-2-1024x683.jpg\" alt=\"\" class=\"wp-image-722\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/1-2-1024x683.jpg 1024w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/1-2-300x200.jpg 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/1-2-768x512.jpg 768w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/1-2.jpg 1500w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Louise Porte, <em>Juste une illusion<\/em><strong>&nbsp;,&nbsp;<\/strong>2019,&nbsp;une exposition en deux actes \u00e0 home alonE, Clermont-Ferrand<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/2-1024x576.png\" alt=\"\" class=\"wp-image-724\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/2-1024x576.png 1024w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/2-300x169.png 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/2-768x432.png 768w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/2.png 1096w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Louise Porte, <em>Juste une illusion<\/em><strong>&nbsp;<\/strong>, 2018, Vid\u00e9o couleur, 6\u201900, capture d\u2019\u00e9cran, Interpr\u00e8tes : Melissa Gauthier, Adriana Huguet, Aliz\u00e9e Jean, Louise Porte<br><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/3-1024x683.jpg\" alt=\"\" class=\"wp-image-725\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/3-1024x683.jpg 1024w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/3-300x200.jpg 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/3-768x512.jpg 768w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption><em>Cours de danse pour bo\u00eete de nuit ou comment danser en discoth\u00e8que,&nbsp;<\/em>2017-2019, performance de Louise Porte et Leslie Pranal. Vue de la performance jou\u00e9e au 1 rue Saint Joseph, Clermont-Ferrand, octobre 2018. Sur une invitation de Sophie Lapalu et In Extenso, centre d\u2019art contemporain.  Cr\u00e9dit photo: Michael Collet<br>Lien teaser : <a href=\"https:\/\/vimeo.com\/205026957\">https:\/\/vimeo.com\/205026957<\/a><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/4-1024x683.jpg\" alt=\"\" class=\"wp-image-728\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/4-1024x683.jpg 1024w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/4-300x200.jpg 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/4-768x512.jpg 768w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/4.jpg 1500w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Louise Porte, Monday Morning, 2020, une image, en attente d&#8217;exister spatialement.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/5-1024x724.jpg\" alt=\"\" class=\"wp-image-727\" width=\"550\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/5-1024x724.jpg 1024w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/5-300x212.jpg 300w, https:\/\/kommet.fr\/wp-content\/uploads\/2020\/04\/5-768x543.jpg 768w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Louise Porte, <em>Boogie, be good, bigoudis<\/em>, 2018-2020, photographie argentique num\u00e9ris\u00e9e, <br>impression jet d\u2019encre sur papier epson hot press bright, 60x40cm<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>N\u00e9e en 1993, vit et travaille entre Paris et Lyon Louise Porte obtient son DNSEP en 2016 \u00e0 l\u2019\u00c9cole Sup\u00e9rieure d\u2019Art de Clermont M\u00e9tropole. Sa pratique se situe entre les arts visuels et vivants. Ses recherches d\u2019installations, ax\u00e9es autour de narrations quotidiennement fictives, nourrissent ses travaux chor\u00e9graphiques, et inversement. Capturer les images comme des instants &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/kommet.fr\/index.php\/2020\/04\/05\/louise-porte\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;LOUISE PORTE&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/719"}],"collection":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=719"}],"version-history":[{"count":5,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/719\/revisions"}],"predecessor-version":[{"id":747,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/719\/revisions\/747"}],"wp:attachment":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}