{"id":1185,"date":"2021-05-03T18:00:16","date_gmt":"2021-05-03T16:00:16","guid":{"rendered":"https:\/\/kommet.fr\/?p=1185"},"modified":"2021-05-03T18:05:47","modified_gmt":"2021-05-03T16:05:47","slug":"residence-helene-hulak","status":"publish","type":"post","link":"https:\/\/kommet.fr\/index.php\/2021\/05\/03\/residence-helene-hulak\/","title":{"rendered":"R\u00e9sidence H\u00e9l\u00e8ne Hulak"},"content":{"rendered":"\n<p><strong>KOMMET a eu le plaisir d\u2019accueillir l\u2019artiste H\u00e9l\u00e8ne Hulak en r\u00e9sidence de cr\u00e9ation du 15 mars au 30 avril.<\/strong><\/p>\n\n\n\n<p><a href=\"http:\/\/helenehulak.com\/\">H\u00e9l\u00e8ne Hulak<\/a> d\u00e9veloppe une pratique d\u2019installation m\u00ealant peinture, sculpture, textile et vid\u00e9o. Elle emprunte des images issues de la culture populaire susceptibles de conna\u00eetre des mues successives. Elle joue et use, \u00e0 outre mesure, de leurs codes afin de g\u00e9n\u00e9rer chez le spectateur une r\u00e9flexion li\u00e9e \u00e0 notre rapport au genre et \u00e0 notre environnement. Lors de performances, H\u00e9l\u00e8ne Hulak active et prend pleine possession de ces corps d\u00e9form\u00e9s, distordus et chatoyants.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color\">N\u00e9e en 1990, H\u00e9l\u00e8ne Hulak vit et travaille \u00e0 Lyon. Dipl\u00f4m\u00e9e de l\u2019\u00c9cole nationale sup\u00e9rieure des Beaux-Arts de Lyon, son travail a notamment \u00e9t\u00e9 expos\u00e9 au macLyon, aux Magasins G\u00e9n\u00e9raux (Pantin) et \u00e0 Metaxu (Toulon). Invit\u00e9e par Studio Ganek, elle participe au mois d\u2019avril 2021 \u00e0 l\u2019exposition collective <em>\u00c0 ciel ouvert<\/em>, install\u00e9e dans des panneaux d\u2019affichage de la ville de Lyon.&nbsp;<\/p>\n\n\n\n<p class=\"has-black-color has-text-color\">Dans le cadre de cette r\u00e9sidence de cr\u00e9ation, H\u00e9l\u00e8ne Hulak a d\u00e9velopp\u00e9 ses recherches autour d\u2019une s\u00e9rie de nouvelles pi\u00e8ces textiles. Son travail sera pr\u00e9sent\u00e9 lors d\u2019une exposition \u00e0 KOMMET d\u00e9but 2022.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized is-style-default\"><img src=\"https:\/\/kommet.fr\/wp-content\/uploads\/2021\/05\/hypnoticpoison_small-898x1024.jpg\" alt=\"\" class=\"wp-image-1189\" width=\"700\" srcset=\"https:\/\/kommet.fr\/wp-content\/uploads\/2021\/05\/hypnoticpoison_small-898x1024.jpg 898w, https:\/\/kommet.fr\/wp-content\/uploads\/2021\/05\/hypnoticpoison_small-263x300.jpg 263w, https:\/\/kommet.fr\/wp-content\/uploads\/2021\/05\/hypnoticpoison_small-768x875.jpg 768w, https:\/\/kommet.fr\/wp-content\/uploads\/2021\/05\/hypnoticpoison_small.jpg 1181w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><figcaption>Hypnotic Poison, 2021<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>KOMMET a eu le plaisir d\u2019accueillir l\u2019artiste H\u00e9l\u00e8ne Hulak en r\u00e9sidence de cr\u00e9ation du 15 mars au 30 avril. H\u00e9l\u00e8ne Hulak d\u00e9veloppe une pratique d\u2019installation m\u00ealant peinture, sculpture, textile et vid\u00e9o. Elle emprunte des images issues de la culture populaire susceptibles de conna\u00eetre des mues successives. Elle joue et use, \u00e0 outre mesure, de leurs &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/kommet.fr\/index.php\/2021\/05\/03\/residence-helene-hulak\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;R\u00e9sidence H\u00e9l\u00e8ne Hulak&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":1171,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/1185"}],"collection":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1185"}],"version-history":[{"count":6,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/1185\/revisions"}],"predecessor-version":[{"id":1195,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/posts\/1185\/revisions\/1195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/media\/1171"}],"wp:attachment":[{"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/categories?post=1185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kommet.fr\/index.php\/wp-json\/wp\/v2\/tags?post=1185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}